Concerning the Image footnote: Henry Holiday (1931). Source: The Hunting of the Snark: An Agony in Eight Fits by Lewis Carroll, MacMillan and Co, Limited, St. Martin’s Street, London, 1931. It is a public domain work of art.
The PhD Research Group on Critical Data has embarked on a long-term project exploring mapping practices, inviting Vladan Joler to mentor the development of a collective graphic vocabulary for knowledge mapping.
As part of the festival, the group will present the outcomes of this mentoring program: an exhibition of posters, graphs, and scores that address a rich diversity of themes, approaches, and mappings within the individual projects, all unified by the broader context of contemporary debates on critical data.
This poster exhibition takes the form of a city-wide intervention, with posters displayed on the streets and at various venues throughout Nicosia. These works will mingle, interfere, and converse with the local graphic prints, creating an organic dialogue with the urban environment.
Navigate this map to find the posters in Nicosia: https://ausstellungen.ufg.at/criticaldata
Graduate Students:
Marta Beauchamp, Cesar Escudero Andaluz, Emanuel Gollob, Alexia Achilleos & Myrto Aristidou
Mentors:
Vladan Joler & Manuela Naveau
The Critical Data PhD Research Group (Department of Interface Cultures, Kunstuni Linz) operates at the confluence of media/digital art, interactive art, interface design, and participatory practices, intersecting art, technology, and artistic research. While the group’s candidates explore different topics, they share a common focus on Critical Data, which manifests in their projects through explorations of interfaces, translations, intermediations, and sonification.
The Interface Cultures PhD group includes graduate students from the University of the Arts Linz, FHNW Basel, Zurich University of the Arts, and the Cyprus University of Technology, under the supervision of Prof. Dr. Manuela Naveau.
The Critical Data Mapping workshop is held under the mentorship of Prof. Vladan Joler.
Concerning the Image footnote: Henry Holiday (1931). Source: The Hunting of the Snark: An Agony in Eight Fits by Lewis Carroll, MacMillan and Co, Limited, St. Martin’s Street, London, 1931. It is a public domain work of art.
The PhD Research Group on Critical Data has embarked on a long-term project exploring mapping practices, inviting Vladan Joler to mentor the development of a collective graphic vocabulary for knowledge mapping.
As part of the festival, the group will present the outcomes of this mentoring program: an exhibition of posters, graphs, and scores that address a rich diversity of themes, approaches, and mappings within the individual projects, all unified by the broader context of contemporary debates on critical data.
This poster exhibition takes the form of a city-wide intervention, with posters displayed on the streets and at various venues throughout Nicosia. These works will mingle, interfere, and converse with the local graphic prints, creating an organic dialogue with the urban environment.
Navigate this map to find the posters in Nicosia: https://ausstellungen.ufg.at/criticaldata
Graduate Students:
Marta Beauchamp, Cesar Escudero Andaluz, Emanuel Gollob, Alexia Achilleos & Myrto Aristidou
Mentors:
Vladan Joler & Manuela Naveau
The Critical Data PhD Research Group (Department of Interface Cultures, Kunstuni Linz) operates at the confluence of media/digital art, interactive art, interface design, and participatory practices, intersecting art, technology, and artistic research. While the group’s candidates explore different topics, they share a common focus on Critical Data, which manifests in their projects through explorations of interfaces, translations, intermediations, and sonification.
The Interface Cultures PhD group includes graduate students from the University of the Arts Linz, FHNW Basel, Zurich University of the Arts, and the Cyprus University of Technology, under the supervision of Prof. Dr. Manuela Naveau.
The Critical Data Mapping workshop is held under the mentorship of Prof. Vladan Joler.
